Showing posts with label saul bass. Show all posts
Showing posts with label saul bass. Show all posts

8.07.2011

★ Dieter Rams' Spider-Man ★

Dieter Rams' Spider-Man by Joe D!
Dieter Rams' Spider-Man, a photo by Joe D! on Flickr.
Via Flickr:
Yet another submission for Project:Rooftop's Spider-man Redesign, so if you're keeping count, that's Golden-Age Spider-Man and Home-made Spider-Man, and Hipster Spider-Man.

The premise behind this concept is "What would it look like if Dieter Rams designed a Spider-Man costume?" , and while I'm not about to say that I can pull it off as well as ol' Dieter could, I could rip him off at least as well as Apple can. I gave him just two levels of detail, the red glossy hexagon pattern and the dark, dark, blue pattern. I would have gone for wood veneer and brushed aluminum, or black glass and white plastic, but Spidey would've been immobile. The eye elements have been replaced by a red visor helmet, though I kept a hint of the eye socket shape. I kept the original spider logo, since under this premise, I'm saying Paul Rand did it.

4.04.2011

★ X-Men: First Class Title Sequence ★



Description from my vimeo page:

Inspired by classic Sixties movie titles and prompted by John Struan of Super Punch fame, I've built a 1960s style title sequence for the upcoming X-Men: First Class film.

Set during the midst of the Cuba Missile Crisis, X-Men: First Class tells the story of the first team coming together, before they would become the heroes and villains we know from the original X-Men Trilogy.

This sequence was designed to give a very brief primer on the time period, the setting, as well as show the relationships of the characters in this film, as they are very different from the previous movies and audiences shouldn't be confused as to why Professor X and Magneto, enemies in the original trilogy, are the best of friend in this prequel.

Super Punch held a contest redesigning the posters for the film, which played it safe by sticking very close to the correlation to the original trilogy, and winding up rather mundane compared to the slick trailer rife with espionage, red fear, and 60s hair. Several people were quick to make posters in the Mod, Saul Bass, and James Bond style that I had in mind, so it was decided that I'd make a title sequence instead.

And yes, that music is a very melancholic rendition of the 90s cartoon theme song.

Please visit SecretUndergroundHeadquarters.com and SuperPunch.blogspot.com for more awesomeness.

Special thanks to Jessica Heaton, the World's Greatest Robot Girl.

The rest of the entries can be seen here